Classical concerts featuring

Janine Jansen

Klaus Mäkelä and Janine Jansen with the Concertgebouw Orchestra

Conductor Klaus Mäkelä says that a concert is like a journey through time. The composers featured on this programme were clearly inspired by older music. Robert Schumann had just suffered a nervous breakdown when he wrote his Second Symphony, a work in which he documents his recovery and overtly draws on the music of Bach, Haydn and Beethoven.Benjamin Britten’s music, in which the influence of older English masters is always palpable, is also in dialogue with the past. His Violin Concerto juxtaposes tradition with present-day circumstances: the year was 1939, and the threat of war imminent. With her extraordinary aptitude for capturing mood and atmosphere, violinist Janine Jansen is the perfect interpreter.Klaus Mäkelä says, ‘In Schumann’s music I always feel an aspect of the past, tradition, history. Britten too admired tradition. We make a combination with works from the 17th century by Purcell and Dowland, to prepare the atmosphere of the later works by Britten and Schumann, which contain the past. I think the music benefits from it. The cathedral-like, almost sacred atmosphere of Dowland and Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’

Klaus Mäkelä and Janine Jansen with the Concertgebouw Orchestra

Conductor Klaus Mäkelä says that a concert is like a journey through time. The composers featured on this programme were clearly inspired by older music. Robert Schumann had just suffered a nervous breakdown when he wrote his Second Symphony, a work in which he documents his recovery and overtly draws on the music of Bach, Haydn and Beethoven.Benjamin Britten’s music, in which the influence of older English masters is always palpable, is also in dialogue with the past. His Violin Concerto juxtaposes tradition with present-day circumstances: the year was 1939, and the threat of war imminent. With her extraordinary aptitude for capturing mood and atmosphere, violinist Janine Jansen is the perfect interpreter.Klaus Mäkelä says, ‘In Schumann’s music I always feel an aspect of the past, tradition, history. Britten too admired tradition. We make a combination with works from the 17th century by Purcell and Dowland, to prepare the atmosphere of the later works by Britten and Schumann, which contain the past. I think the music benefits from it. The cathedral-like, almost sacred atmosphere of Dowland and Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’

Concertgebouw Orchestra Annual Gala with Klaus Mäkelä

The Concertgebouw Orchestra presents its festive Annual Gala concert for loyal audience members, friends, and donors. The Annual Gala starts with a reception at 19.30, and the fashionable after-party goes on until midnight.Dress code: black tie.Guests are welcomed to a reception at 19.30, after which they will be ushered into the Main Hall for a uniquely memorable conducted by our artistic partner and future chief conductor, Klaus Mäkelä. Leading violinist Janine Jansen performs as soloist in Britten’s deeply moving Violin Concerto, the work with which she made her Concertgebouw Orchestra debut twenty years ago.The Concerto is preceded on the programme by the royal funeral march by Britten’s predecessor Purcell. Another well-known English lament from long ago opens Schumann’s deceptively sunny Second Symphony. Like Britten’s music, Schumann’s is also in dialogue with the past. Klaus Mäkelä says, ‘A concert is a journey. The cathedral-like, almost sacred atmosphere of Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’After the concert, you are invited to partake in the tantalising follow-up programmes in the foyers of the Concertgebouw. There will be ample opportunity to mingle with other guests, the conductor, soloists, and choir and orchestra members until midnight.

London Symphony Orchestra/Sir Antonio Pappano

Bringing together Walton’s turbulent first Symphony with passionate statements of love and outrage from two American greats.

James Gaffigan & Janine Jansen

The tone colors of the strings in William Grant Still’s Mother and Child evoke the lovely flower meadows and the cradling one associates with the tender bonds between mother and child. Dvořák’s American Suite: raw, promising, yearning, impetuous, exciting – a musical depiction of the New World. Bernstein’s Serenade (after Plato’s Symposium) begins with a sighing, exquisitely flowing solo violin line, and with the addition of strings, harp, and percussion, turns into an unconventional, raging mix of styles with a “hint of jazz” at the end. The solo part is entrusted to the exceptional violinist Janine Jansen. Gershwin’s portrait of the French rush hour in An American in Paris concludes the concert. James Gaffigan will be conducting the BRSO for the third time in this very special program, which also promises to be incredibly exciting.

James Gaffigan & Janine Jansen

The tone colors of the strings in William Grant Still’s Mother and Child evoke the lovely flower meadows and the cradling one associates with the tender bonds between mother and child. Dvořák’s American Suite: raw, promising, yearning, impetuous, exciting – a musical depiction of the New World. Bernstein’s Serenade (after Plato’s Symposium) begins with a sighing, exquisitely flowing solo violin line, and with the addition of strings, harp, and percussion, turns into an unconventional, raging mix of styles with a “hint of jazz” at the end. The solo part is entrusted to the exceptional violinist Janine Jansen. Gershwin’s portrait of the French rush hour in An American in Paris concludes the concert. James Gaffigan will be conducting the BRSO for the third time in this very special program, which also promises to be incredibly exciting.

Janine Jansen & Denis Kozhukhin: Brahms, Schumann and more

The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!

Janine Jansen | Denis Kozhukhin

Exceptional violinist Janine Jansen, known for her numerous performances of Brahms' violin concerto, now focuses on his violin sonatas with award-winning pianist Denis Kozhukhin. Their exploration extends into the 20th century, encompassing Ravel, Messiaen, and Poulenc's distinct contributions to the genre. Jansen and Kozhukhin share a passion for chamber music and a dedication to shaping its emotional depths.

Janine Jansen spielt Brahms

Award-winning pianist Denis Kozhukhin and Dutch violinist Janine Jansen team up to perform Romantic works. Jansen, praised by The Times for her ability to revitalize repertoire pieces, feels connected to every piece she plays. The successful Jansen-Kozhukhin duo creates music with existential depth and emotional tension, making their performances unforgettable.

Jansen and Kozhukhin

With her dazzling technique and natural stage presence, Dutch violinist Janine Jansen has long been among the top tier of international star violinists. Pianist Denis Kozhukhin also combines outstanding technique with mature musicality and an ability to establish a close connection with the audience. They have both previously visited Konserhuset, individually and together.During their acclaimed visit in 2022, they performed, among other pieces, Brahms' third violin sonata. Now, we hear the first two: the "rain sonata," so named because its finale includes a quote from Brahms' own song "Regenlied," and the second, named "Thun" after the town in Switzerland where Brahms spent time when he composed it. There, he was inspired by the beautiful surroundings. "There are so many melodies here that one must be careful not to trample on any of them," he expressed it.Before Ravel's concluding violin sonata with its famous blues movement, we hear Eugène Ysaÿe's sensually dark-toned Poème élégiaque, a milestone in the violin repertoire, and Olivier Messiaen's Thème et variations, which in character resembles his most performed work, Quartet for the End of Time.

Janine Jansen / Denis Kozhukhin

The duo formed by Janine Jansen and Denis Kozhukhin in a programme juxtaposing Brahms—a composer particularly close to their hearts—with a selection of 20th-century French chamber music.

Reunion with the dream team

Die Deutsche Kammerphilharmonie Bremen

Frischer Wind im Konzertsaal: Wenn Die Deutsche Kammerphilharmonie Bremen mit Paavo Järvi und Janine Jansen gemeinsame Sache macht, wird ein altbekannter Klassiker wie Beethovens Violinkonzert wieder zum Erlebnis.Wann immer es darum geht, Klassiker aus dem verstaubten Repertoireschrank zu holen und neu zu entdecken, ist Die Deutsche Kammerphilharmonie Bremen die perfekte Wahl. Wenn dann noch Janine Jansen und Paavo Järvi als »partner in crime« dazustoßen, sollte man sich für frischen Wind im Konzertsaal wappnen. Schon 2009 bejubelte die Fachpresse ihre gemeinsame Einspielung von Beethovens Violinkonzert: „»Sie spielt als ginge es um alles oder nichts […], so als entdecke sie das Werk gerade neu«.

Works by Schubert and Beethoven

Reunion with the dream team

The Deutsche Kammerphilharmonie Bremen / Janine Jansen / Paavo Järvi

A proven dream team: Paavo Järvi and »his« Deutsche Kammerphilharmonie Bremen have blended an intensive artistic collaboration for a long time. They are especially at home at the interface between the classical and the romantic with the music of Ludwig van Beethoven and his successors. At the Hamburg International Music Festival, they are now exclusively pursuing this soundscape. Together with star violinist Janine Jansen, they dive into Beethoven’s monumental violin concerto and present it with an equally ground-breaking symphony by Franz Schubert. Beethoven conceived his violin concerto as an alternative to stark virtuoso pieces without acrobatics or cliched melodies. With its epic scale of just under three quarters of an hour and an aura of philosophical profundity, this work has been spellbinding to this day and presents violinists with the highest demands of musical shaping. In expression, the music penetrates very far into the intensity of romantic worlds of emotions and so builds a bridge to the music of Franz Schubert. Schubert’s »Tragic« does not skimp on dramatic moments, but in the fiery finale ultimately brings itself to a cheerful conclusion.

Works by Schubert and Beethoven

Works by Schubert and Beethoven

Works by Schubert and Beethoven

Works by Schubert and Beethoven